Career: Recording and audio post-production
(unofficial) - duration: 2 years ( 20 months)
Price: $ 350 pesos (U $ S $ 140) per month plus tuition (annual) $ 250 (U $ S $ 84).
The race has 4 niello, and then you can make 4 spatializations (obtained the Degree of Master Recording and Post-Production Audio.)
course 2 classes per week is 2 hours and a half each
those who start the second half of the year, make Carrara in 16 months since the first year is intensive. specializations:
- Mastering
- Live recording
- Pro-Tools HD
- Console Solid State Logic (Automation and mix).
The content of the race if it is large, is very small in terms of hours per week that the race courses. Many content in a few hours
His studies for practice with a high level.
In 2000 he was appointed TecSon study Authorized Training Center to teach courses Argentina officers Digidesig Pro-Tools.
Curriculum
1 st Level (Basic 1)
Introduction to Audio
Recording I
Audio perceptive I
Music Theory I
Mix I
2 nd Level (Basic 2)
Acoustic
Recording II
Mix II
Audio perceptive II Music Theory II
3 rd Level (Advanced 1) Pro Tools I
Recording III
Mix III
Edition
4 th Level (Advanced 2)
Pro Tools II
Recording IV
Mix IV
recording and mixing in ProTools
The school reserves the right to modify and update the curriculum during the course of the career without notice.
Basic program (Levels 1 and 2)
core program within the student will see the following contents:
1-On Recording Studio.
"The control room and recording room
-The process of recording, live recording, analog and digital multitrack recording
-study personnel, recording engineers, assistants, maintenance and artistic producer
-chains analog and digital audio. The transducer
2-Sound and waveforms
-Key features of the sound waves
-frequency, amplitude, wavelength, period, speed,
surround sound and harmonic content of sound waves
"The timbre, pitch and range of notes of musical instruments
-phase sound wave
"The decibel
3-Microphones microphones-types design method.
-uptake patterns / diagrams
polar-miking techniques for working distance miking techniques
-mono and stereo
4-Technical basis
-signal levels and the decibel scale, levels of equipment operation, distortion
-dynamic range, signal to noise level meters, crosstalk, frequency response
5-The modular digital multitrack recorder ( MDM)
-tape transport controls and electronic multi-
The interface input / output, and the formats of digital audio transfer
-monitoring modes
-modular hard disk recorders. The DAWs (Digital Audio Workstations)
6-Consoles-The basic mixer recording and live applications
-building consoles modular multitrack
-Mixer: entry, channel monitoring, output buses, and master section.
-module input / output (I / O)
-Introduction to digital consoles
7-Signal Processors Equalizers
-drivers-Introduction to Introduction to Dynamic
-spatial processors
8-Acoustic-Acoustic Materials
-Construction of studios and rehearsal rooms
-reflection and absorption characteristics of various materials
-insulation and acoustic
9-Recordings (practical classes - duration 8 months)
-Arrangement instruments in the studio
-positioning of microphones in audio jacks
-profit structure in signaling pathways
-monitoring control room and mixtures
CUE-The three stages of multi-process: recording, overdubbing and mixing
10-Language Musical
- traditional spelling Preliminary Concepts
Halftone Tone Scales
Enarmonia
simple and compound intervals (score, composition, investment)
consonance and dissonance.
- Hue Mode Mayor
Constitution of the major scale
Source
tetrachords Chain of Order of sharps and flats
triad chord progression or harmonic tetrad
fourth
Chords Harmonizing a melody
descending diatonic circle of fifths.
- Minor Mode
relative minor mode minor mode parallel
Different scales
ancient minor scale chord triad
tetrachord
Species Sensitive
Tonal functions
- Elements for morphological analysis
- audioperceptive
- Scenarios for the right music production
- Modulation
- Situations pre and post-production art -
Instruments - Syntax on individual families and their origin
Strings - Woods - Metals - The rhythm section
Advanced Program (Levels 3 and 4)
In the advanced program the student will see the following contents:
1-Digital Audio
-Introduction to Binary Number System.
-Bit / Nibble / Byte / Word Digital.
-Description of the steps and components in a digital network input / output.
-Sampling Rate, Bit Depth and Quantization Error.
AA. Antialiasing filters.
-Truncation by recuantización.
-Dither / Noise shaping / Sampling Rate Convertion.
-Word Clock.
-transfer protocols: AES EBU / S / PDIF / OPTICAL / Proprietary.
-Clock Jitter.
-Asynchronous Sampling Rate Converters and Phase Locked Loop.
-Midi Time Code / SMTPE.
-Latency Monitoring.
2-stereo miking techniques
-matching techniques: XY, Blumlein Pair and technique M / S.
-Mid matrix decoding / Sides.
-almost matching techniques: ORTF and NOS.
-jacks and quasi-binaural binaural (SASS). 3-
recording console
SONY DMX-R100-Settings for recording, overdubbing and mixing. Routing
-digital input / output.
-dynamic processes: the sidechain circuit monitor. 4-Processes
space-based spatial effects in the delay of the signal.
-The effects of precedence and Haas. Pseudo stereo.
"The lines of Delay and Echo and reverb effects.
-Modulation effects: Chorus, Flanging and Phaser.
5-Recording, mixing and music production (10 months practical classes)
-Taking assemblies live acoustic and electric groups.
-filtering between takes. Compensation for delay and reverse polarity.
-Use of dynamics processing and equalization as corrective tools.
6-OS MAC OS (Macintosh) and Windows XP (PC)
-Introduction to the origins of the major operating systems), Mac OS - Macintosh / Windows XP - Pc. "The different types
Apple processors.
-configuration of the system (extension / control panel / preferences, etc.)
-An introduction to the Finder application (interfaces between the user and the system)
-click menu of the application FINDER (File / edit / view / special / help)
7-An introduction to Pro Tools systems
-Brief overview on the DAW (Digital Audio Workstations) its requirements and operation (including Pro Tools)
-The Pro Tools Hardware A) Professional systems (HD , TDM) B) Home audio systems (Digi 002 / Digi 001/Mbox / Audiomedia III)
-Introduction to Pro Tools Software
8-Software Pro Tools 7.3
-basic differences between the HD versions, TDM and LE
-Creating a new session with different parameters and main window (Edit & Mix) recognition of each of the parts and tools that comprise them.
-Introduction to Pro Tools shortcut menu. Tracks-Provision of different elements into it (inputs, outputs, inserts, send, etc)
-Voces (their use in TDM systems) The various windows and their usefulness as well as the menu display (this point will be reviewed in each of the units where we go after needing the use of different windows).
-PRACTICAL EXERCISE # 1
9-Record-Setting Basic input and output in
-recording tracks nondestructively Sete and usage preferences of the various tools and functions that were in this unit.
-PRACTICAL EXERCISE # 2 10-
Mix in Pro Tools: Tools and procedures
-Creating and using different types of Tracks
-Using the Track List. Different ways to import audio into Pro Tools
-Create and manage groups Tracks
-Differences between RTAS Plug-Ins RTAS and AudioSuite Using from the insert point. Using buses to route the audio signal. Automation from the edit window
-Down mix final (BOUNCE TO DISK). Setpoints and usage preferences of the various tools and functions that were in this unit.
-PRACTICAL EXERCISE # 3
11-Basic Edition: Tools and procedures
-basic editing tools to cut, copy, paste, duplicate, etc. and run through the Clipboard.
"The concept of audio regions as an essential way of editing in Pro Tools
-Capture and separation of regions. EDIT WINDOWS basic tools (Trimmer, Grabber, Selector) mode
-SLIP basic editing and SHUFFLE, and the behavior of the tools in each of them. Use, adjustment, and positioning of regions audio (using basic tools)
-Tools Zoom (Normal Zoom, Zoom Single). Sete and preferences using the various tools and functions that were in this unit.
-PRACTICAL EXERCISE # 4
12-recording techniques and tools-Use Advanced
times
pre and post roll-on recording, recording destructive recording mode recording loop and quick punch. Setpoints, use preferences and functions of the different tools that were in this unit.
-PRACTICAL EXERCISE # 5
13-Advanced Editing playlist
-concept and its use in rec mode and mode mix.
-Fade in / out / crossfade
-list Using the Audio region and its various functions
-use Identify Beat function as an indispensable tool in editing
-Pencil tool / Smart tool / Scrub-Point Tool sync
-Strip Silence (gate editing) Sets and usage preferences of the various tools and functions that were in this unit.
-PRACTICAL EXERCISE No. 6
14-modes of real-time automation and its application in:
1 - automating faders / pans / mutes
2 - Automation SENDS (Aux Sends.)
3 - automation of processors (Plug- Ins) Sets and usage preferences of the different tools and functions.
-PRACTICAL EXERCISE # 7
15 - MIDI (Musical Instrument Digital Interface)
-Introduction to Language midi
-Systems Interconnection (MIDI channels, MIDI In, Out, Through Ports)-Development and Performance of Midi Track
-Setting Midi Input and Ouput (assignments)
-Recording Midi (Midi Through, Filter Input, Input Quantize, Merge, Replace)
-Punch recording modes and Loop Regions and Data Midi Midi (Midi Region List)
Functions: Quantize, Groove Quantize , Transpose, Select Notes. Velocity, Midi Event List
-Appropriate use of each of the functions mentioned
Using Soft-Synth (RTAS, Rewire, Direct Connect)
16 - Post production audio from video
-General concepts of post-production process
-sync audio to video
-REALIZATION OF A PRACTICAL EXERCISE AGAINST VIDEO AUDIO POST-PRODUCTION OF
As I said before the race only made in 2 and a year and a half!
I leave to your consideration!
the value of the monthly fee is around $ 400 if you do it in 1 year and a half the fee is increased by at least 1 semester.
Contact:
www.tecson.com.ar
Ramón Freire 2533
Buenos Aires. Argentina
Telephone: (54-11) 4542-2429
(54-11) 4546-0842 (Info from 12 to 20)
Curriculum
1 st Level (Basic 1)
Introduction to Audio
Recording I
Audio perceptive I
Music Theory I
Mix I
2 nd Level (Basic 2)
Acoustic
Recording II
Mix II
Audio perceptive II Music Theory II
3 rd Level (Advanced 1) Pro Tools I
Recording III
Mix III
Edition
4 th Level (Advanced 2)
Pro Tools II
Recording IV
Mix IV
recording and mixing in ProTools
The school reserves the right to modify and update the curriculum during the course of the career without notice.
Basic program (Levels 1 and 2)
core program within the student will see the following contents:
1-On Recording Studio.
"The control room and recording room
-The process of recording, live recording, analog and digital multitrack recording
-study personnel, recording engineers, assistants, maintenance and artistic producer
-chains analog and digital audio. The transducer
2-Sound and waveforms
-Key features of the sound waves
-frequency, amplitude, wavelength, period, speed,
surround sound and harmonic content of sound waves
"The timbre, pitch and range of notes of musical instruments
-phase sound wave
"The decibel
3-Microphones microphones-types design method.
-uptake patterns / diagrams
polar-miking techniques for working distance miking techniques
-mono and stereo
4-Technical basis
-signal levels and the decibel scale, levels of equipment operation, distortion
-dynamic range, signal to noise level meters, crosstalk, frequency response
5-The modular digital multitrack recorder ( MDM)
-tape transport controls and electronic multi-
The interface input / output, and the formats of digital audio transfer
-monitoring modes
-modular hard disk recorders. The DAWs (Digital Audio Workstations)
6-Consoles-The basic mixer recording and live applications
-building consoles modular multitrack
-Mixer: entry, channel monitoring, output buses, and master section.
-module input / output (I / O)
-Introduction to digital consoles
7-Signal Processors Equalizers
-drivers-Introduction to Introduction to Dynamic
-spatial processors
8-Acoustic-Acoustic Materials
-Construction of studios and rehearsal rooms
-reflection and absorption characteristics of various materials
-insulation and acoustic
9-Recordings (practical classes - duration 8 months)
-Arrangement instruments in the studio
-positioning of microphones in audio jacks
-profit structure in signaling pathways
-monitoring control room and mixtures
CUE-The three stages of multi-process: recording, overdubbing and mixing
10-Language Musical
- traditional spelling Preliminary Concepts
Halftone Tone Scales
Enarmonia
simple and compound intervals (score, composition, investment)
consonance and dissonance.
- Hue Mode Mayor
Constitution of the major scale
Source
tetrachords Chain of Order of sharps and flats
triad chord progression or harmonic tetrad
fourth
Chords Harmonizing a melody
descending diatonic circle of fifths.
- Minor Mode
relative minor mode minor mode parallel
Different scales
ancient minor scale chord triad
tetrachord
Species Sensitive
Tonal functions
- Elements for morphological analysis
- audioperceptive
- Scenarios for the right music production
- Modulation
- Situations pre and post-production art -
Instruments - Syntax on individual families and their origin
Strings - Woods - Metals - The rhythm section
Advanced Program (Levels 3 and 4)
In the advanced program the student will see the following contents:
1-Digital Audio
-Introduction to Binary Number System.
-Bit / Nibble / Byte / Word Digital.
-Description of the steps and components in a digital network input / output.
-Sampling Rate, Bit Depth and Quantization Error.
AA. Antialiasing filters.
-Truncation by recuantización.
-Dither / Noise shaping / Sampling Rate Convertion.
-Word Clock.
-transfer protocols: AES EBU / S / PDIF / OPTICAL / Proprietary.
-Clock Jitter.
-Asynchronous Sampling Rate Converters and Phase Locked Loop.
-Midi Time Code / SMTPE.
-Latency Monitoring.
2-stereo miking techniques
-matching techniques: XY, Blumlein Pair and technique M / S.
-Mid matrix decoding / Sides.
-almost matching techniques: ORTF and NOS.
-jacks and quasi-binaural binaural (SASS). 3-
recording console
SONY DMX-R100-Settings for recording, overdubbing and mixing. Routing
-digital input / output.
-dynamic processes: the sidechain circuit monitor. 4-Processes
space-based spatial effects in the delay of the signal.
-The effects of precedence and Haas. Pseudo stereo.
"The lines of Delay and Echo and reverb effects.
-Modulation effects: Chorus, Flanging and Phaser.
5-Recording, mixing and music production (10 months practical classes)
-Taking assemblies live acoustic and electric groups.
-filtering between takes. Compensation for delay and reverse polarity.
-Use of dynamics processing and equalization as corrective tools.
6-OS MAC OS (Macintosh) and Windows XP (PC)
-Introduction to the origins of the major operating systems), Mac OS - Macintosh / Windows XP - Pc. "The different types
Apple processors.
-configuration of the system (extension / control panel / preferences, etc.)
-An introduction to the Finder application (interfaces between the user and the system)
-click menu of the application FINDER (File / edit / view / special / help)
7-An introduction to Pro Tools systems
-Brief overview on the DAW (Digital Audio Workstations) its requirements and operation (including Pro Tools)
-The Pro Tools Hardware A) Professional systems (HD , TDM) B) Home audio systems (Digi 002 / Digi 001/Mbox / Audiomedia III)
-Introduction to Pro Tools Software
8-Software Pro Tools 7.3
-basic differences between the HD versions, TDM and LE
-Creating a new session with different parameters and main window (Edit & Mix) recognition of each of the parts and tools that comprise them.
-Introduction to Pro Tools shortcut menu. Tracks-Provision of different elements into it (inputs, outputs, inserts, send, etc)
-Voces (their use in TDM systems) The various windows and their usefulness as well as the menu display (this point will be reviewed in each of the units where we go after needing the use of different windows).
-PRACTICAL EXERCISE # 1
9-Record-Setting Basic input and output in
-recording tracks nondestructively Sete and usage preferences of the various tools and functions that were in this unit.
-PRACTICAL EXERCISE # 2 10-
Mix in Pro Tools: Tools and procedures
-Creating and using different types of Tracks
-Using the Track List. Different ways to import audio into Pro Tools
-Create and manage groups Tracks
-Differences between RTAS Plug-Ins RTAS and AudioSuite Using from the insert point. Using buses to route the audio signal. Automation from the edit window
-Down mix final (BOUNCE TO DISK). Setpoints and usage preferences of the various tools and functions that were in this unit.
-PRACTICAL EXERCISE # 3
11-Basic Edition: Tools and procedures
-basic editing tools to cut, copy, paste, duplicate, etc. and run through the Clipboard.
"The concept of audio regions as an essential way of editing in Pro Tools
-Capture and separation of regions. EDIT WINDOWS basic tools (Trimmer, Grabber, Selector) mode
-SLIP basic editing and SHUFFLE, and the behavior of the tools in each of them. Use, adjustment, and positioning of regions audio (using basic tools)
-Tools Zoom (Normal Zoom, Zoom Single). Sete and preferences using the various tools and functions that were in this unit.
-PRACTICAL EXERCISE # 4
12-recording techniques and tools-Use Advanced
times
pre and post roll-on recording, recording destructive recording mode recording loop and quick punch. Setpoints, use preferences and functions of the different tools that were in this unit.
-PRACTICAL EXERCISE # 5
13-Advanced Editing playlist
-concept and its use in rec mode and mode mix.
-Fade in / out / crossfade
-list Using the Audio region and its various functions
-use Identify Beat function as an indispensable tool in editing
-Pencil tool / Smart tool / Scrub-Point Tool sync
-Strip Silence (gate editing) Sets and usage preferences of the various tools and functions that were in this unit.
-PRACTICAL EXERCISE No. 6
14-modes of real-time automation and its application in:
1 - automating faders / pans / mutes
2 - Automation SENDS (Aux Sends.)
3 - automation of processors (Plug- Ins) Sets and usage preferences of the different tools and functions.
-PRACTICAL EXERCISE # 7
15 - MIDI (Musical Instrument Digital Interface)
-Introduction to Language midi
-Systems Interconnection (MIDI channels, MIDI In, Out, Through Ports)-Development and Performance of Midi Track
-Setting Midi Input and Ouput (assignments)
-Recording Midi (Midi Through, Filter Input, Input Quantize, Merge, Replace)
-Punch recording modes and Loop Regions and Data Midi Midi (Midi Region List)
Functions: Quantize, Groove Quantize , Transpose, Select Notes. Velocity, Midi Event List
-Appropriate use of each of the functions mentioned
Using Soft-Synth (RTAS, Rewire, Direct Connect)
16 - Post production audio from video
-General concepts of post-production process
-sync audio to video
-REALIZATION OF A PRACTICAL EXERCISE AGAINST VIDEO AUDIO POST-PRODUCTION OF
As I said before the race only made in 2 and a year and a half!
I leave to your consideration!
the value of the monthly fee is around $ 400 if you do it in 1 year and a half the fee is increased by at least 1 semester.
Contact:
www.tecson.com.ar
Ramón Freire 2533
Buenos Aires. Argentina
Telephone: (54-11) 4542-2429
(54-11) 4546-0842 (Info from 12 to 20)
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