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INSTITUTE CanZion



RACE
MUSICAL SOUND AND PRODUCTION GENERAL REQUIREMENTS AND SOUND PRODUCTION


CURRICULUM OF SOUND AND RECORDING CAREER
1. IDENTIFICATION OF CURRICULUM
a. Title: Training of technicians in sound recording and music production with ministerial guidance. B.
Level: terciarioc. Offer technical. Duration of curriculum: Two years (half-yearly mode)
e. Degrees Awarded: Technical Sound Recording and Music Production with Ministerial guidance issued by Canzion Productions.

2. PROJECT STRUCTURE OF SYLLABUS
2.1. Graduate student profile Skills:
- Mastering the techniques of analog and digital recording of sound, live sound operation and equipment for measuring and processing acoustically designed rooms.
- Use and technical implementation, practice and theory of art equipment for recording and live sound reinforcement sound .- digital edition.
- Basis Applied capturing sound and noise by the human ear and the formulas and laws that govern physical acoustics.
- Use of computers and the main software used for recording, mixing and music publishing.
- Understanding the basics of electronics and recording the sound
- Notions on study design and controls for sound recording.
- Domain and use of MIDI systems.
- Using techniques for sound synthesis, sampling and use of virtual instruments. - Sound applied to films and television.
- Understanding humanities areas essential for building the whole person.
- Music production.
- Implementation of the basics of music theory and harmony and auditory recognition (ear training) - Knowledge of the different
styles of music and musical instruments
- Mastering digitally to final product realization. Functions / areas:
- Sound Recording in a studio
- Mixture of a recording in a studio
- Pre and post production to mastering recording
recorded material - music and image synchronization for films - Management
sounds on synthesizers,
samplers and virtual instruments - repair and basic maintenance of sound equipment
- Connecting and wiring studios
- Basic design of studies and monitoring - Measurement
acoustic environments - Sound and monitoring of live events
- Production of different musical projects.

structure plan: FIRST HALF

Basic 2 hours
Recording Digital Audio Systems 1 2 hours
MIDI 2 horasAcústica Physics 2 hours 2 hours
Applied Electronics Components audioperceptive
4 hours
Authority of the Believer 2 hours
Essence of Worship 2 hours
TOTAL: 18 hours (the hours are for lecture hours per week)

SECOND HALF
mixers Practices and processes
Processor 2 hours 1 2 hours
Synthesis and Virtual Instruments Acoustic
Practice 2 hours 2 hours 2 hours
Armonia Digital Audio
2 2 hours
Health Emotions 2 hours Leadership Principles I
2 hours
Passion for His Presence 2 hours
TOTAL: 18 hours (the hours are for lecture hours per week)

THIRD SEMESTER
Code Recording Techniques
Processor 2 hours 2 2 hours
Audio films and TV 2 hours 2 hours

acoustics 1 2 hours Music Production Live Sound
2 hours 2 hours

Christian Family Leadership Principles II 2 hours Life of David

2 hours TOTAL: 18 hours (times are in lecture hours per week)

FOURTH SEMESTER
Grab Practices, mixing and mast 6 hours
Styles and Instruments 2 hours
Audio for film and TV - 2 hours
Practices Music Production 2 2 hours
Live Sound Practices
2 hours Leadership Principles III 2 hours
Worship in the Church 2 hours
TOTAL: 18 hours (the hours are for lecture hours per week)

MINISTERIAL CAREER TECHNICAL Income Profile :
> Ability to music
> Run an instrument
> Spirit teachable
> Willingness to develop habits of discipline
> I want to serve God in the field of music and ministry Exit Profile:
> Knowledge of music at the middle level
> Development of a biblical sense of the music and the role of
musician> Development of a proper technique to execute an instrument
> Tools for basic education of an instrument
> Capacity musical teaching methodology, middle level
> Ability to develop a ministry project
> Commitment
> Disclaimer
> Habits Disciplinary
> Conviction of the principles established in the Bible

Syllabus: First Semester
Audiopercetiva I
I NSTRUMENTS Practice Principal I
coral I
Essence of Worship
Styles and Musical Instruments History of Music in the Bible A uthority of the Believer Panorama Bible I
Piano
I Semester Supplementary Audiopercetiva
Main Instrument II II II
coral Practice Harmony I
Composition I
Health Emotions Passion for His Presence Leadership Principles I
Piano Panorama Bible II

Complementary Elective II ( 2) Third Semester


Audiopercetiva III Principal Instrument III
Score Editor Harmony II

Principles of Leadership II Family III Christian Bible Panorama
D idactica Musical Life of David Field Elective (3) Fourth Semester


AudiopercetivaIV
Main Instrument IV

Project Harmony III Worship in the Church Ministerial Mission Church Leadership Principles Overview III IV
Biblical teaching Methodology Elective Courses (3)
Main Instruments:
Bass: Drums: Song: Flute: Electric Guitar: Acoustic Guitar, Piano, Sax, Violin Elective Courses:
homileticaOrganización of Speech and Composition II I eventosEnsambles

Main INSTRUMENTS: Bass: Drums: Song: Flute: Electric Guitar: Acoustic Guitar: Piano: Saxo: Violin
Rhetoric and homiletics Elective Courses Event Organisation


Composition Ensembles II

NIVELATORIO CURRENT INCOME AND PRODUCTION MUSICAL SOUND
Agenda:
The applicant to enter the race sound and music production will be assessed in the following areas: Introduction to Computer

> Basics of sound systems and recording
> English elementary
> Introduction to musical language


Contact:
Canzion Institute. Campus
Argentina: Corrientes 2770 - CP 1640 - Martinez - Buenos Aires Province

Tel / Fax: (0054) 11-5277-0930 and 11-5277-0931
Hours: 15:00 hs. to 21:00 hs. Attention
Telefonica: 15:00 hs. to 21:00 hs.
Summer Schedule: from 15:30 pm. 20 hours
Mai: argentina@institutocanzion.com
Page: http://www.institutocanzioncom/ educational facilities
Address: Edison 2700 - CP 1640 -
Martínez Buenos Aires Province
Hours: Monday through Thursday from 14:00 pm. and 22:00. 14:00 pm Friday. to 18:00 hs. TERTIARY